La Fiermontina Luxury Home: A Love Story in Stone, Art and Soul
La Fiermontina Family Collection—an allusion to the Italian diminutive of Fiermonte—sounds like a secret declaration of love. It embraces the history of a family that lived their entire lives between art, wanderlust, and beyond the social conventions of their time. This family history leads to the heart of Lecce: that Baroque jewel whose golden-shimmering Pietra Leccese appears particularly wrinkled and marked by history in the late afternoon, radiating warmth. Not just the warmth of high summer streets, but the warmth of welcome.
La Fiermontina Family Collection: Three Houses, One Soul
Today opens the trias universe of the Fiermonte-Filali family: the historic Masseria from the 17th century, birthplace of the project and known since 2015 as La Fiermontina Luxury Home, the La Fiermontina Palazzo Bozzi Corso, an aristocratic city palazzo from 1775 that has welcomed guests since 2018, and the Fiermonte Museum. It was opened in 2018 as a cultural link, newly curated last year, and is now also the stage for four suites that tell all facets of the family chronicle and the love story of Fiermonte – Letourneur – Zwobada.
The buildings are separated by only a few steps. Yet they tell two complementary characteristics of Lecce: The Masseria stands for earthiness in the middle of ancient city walls, the palazzo represents the elegance of Baroque urban culture. The museum bridges them—intellectually, emotionally, spatially.
Suite-à-côté: Where Heritage Meets Contemporary Sanctuary
La Fiermontina Luxury Home’s Suite-à-côté embodies the Filali family’s philosophy of restoration as conversation between centuries. Honey-toned Pietra Leccese frames a vaulted entrance where abstract charcoal studies hang above linen sofas—the artistic legacy of Letourneur and Zwobada quietly present even in these private retreats. A masterful figure drawing dominates the bedroom: curved feminine form rendered in sepia washes, testimony to the sculptors’ obsession with capturing Antonia’s essence in every medium. The bathroom reveals Jacques-Philippe and Christophe’s signature from Laboratoire Design à Rabat—that vertical oval mirror, the blonde wood outdoor shower, curved dining table with fresh white blooms suggesting mornings spent planning adventures through Lecce’s Baroque alleys. Terrazzo floors echo forgotten mixtures discovered during decade-long restoration, while Marmo di Trani meets local stone in thoughtful progression. The private plunge pool at twilight crystallizes La Fiermontina’s essence: warm golden light spilling from glass doors, that same sepia nude visible from outside, Chianche stones from the original terrace now paving the garden where Saint Francis’s legendary orange tree once grew. This is the “albergo diffuso” made intimate—guests swim here yet dine in the Palazzo Bozzi Corso, wander the museum at midnight with flashlights, always moving between the three houses that together tell one family’s story. The suite doesn’t merely accommodate; it continues writing the Fiermonte chronicle, where every guest becomes temporary custodian of a space born from unexpected discoveries—rooms revealed layer by layer under Sopraintendenza supervision, dimensions larger than official plans showed, history insisting on being shared rather than hoarded. Ten years of restoration culminated not in private estate but in this: the profound pleasure of arrival like among friends, espresso in hand, bookshelves instead of reception desks, international staff offering literature tips, and the unmistakable feeling that you’ve entered not a hotel but a living room where the pulse of southern Italy beats beneath stars awakening over Apulia. | Photo: S. De Riccardis
Antonia Fiermonte: A Family History in the Prism of the 20th Century
At the center of all narratives stands Antonia Fiermonte. In an old portrait, she sits beside her mother Lucrezia and her brother Enzo, the future boxing champion and Hollywood actor. Antonia left her Apulian homeland in the 1920s to seek artistic freedom in Rome and Paris and to love. Her equally passionate and tragic ménage-à-trois with the two artists and friends René Letourneur and Jacques Zwobada became emblematic of her life concept. Her courage to casually push aside conventions shaped the inner compass of her grandchildren Fouad Giacomo and Antonia Yasmina Filali.
Both grew up as children of Antonia Fiermonte’s daughter and their father, a Moroccan diplomat, between cultures and around the world. When Fouad Giacomo set out in 2003 to trace his ancestors in Apulia, specifically in Casamassima near Bari, he came to Lecce one day and stayed. The city had enchanted him. He found an enchanted-looking urban farmhouse, a Masseria, as a vacation residence for the family.
The Masseria: Ten Years of Restoration with Sensitivity
In Apulia, a masseria is a fortified farmstead: thick walls, vaulted rooms, an enclosed courtyard, built from the 16th century around olive presses and grain stores rather than around guests. Most stand alone in open country, reached through the groves. This one stands inside the city walls of Lecce, on ground that was farmed while the town grew around it.
With the beginning of renovation work, it became clear that the Masseria was larger than shown in the official plans. Step by step, layer by layer, the Masseria opened and released its history.
Under the supervision of the Sopraintendenza—the state monument protection authority—a restoration project grew that preserved the old while breathing contemporary lightness. For the floors, the designers chose long-forgotten terrazzo mixtures. Marmo di Trani meets Pietra Leccese, honey-colored in the evening sun. Jacques-Philippe and Christophe from Laboratoire Design in Rabat supervised and continue to oversee every detail of the project to this day.
What was conceived as a private domicile took on, with each new discovery, the dimensions of a house that wanted to be shared. In retrospect, it was precisely these unexpected finds that enriched the project and became an opportunity to continue writing the history of the Masseria. The interiors are the work of Laboratoire Design, a studio in Rabat, overseen by Jacques-Philippe and Christophe since the first restoration. What they placed against the restored material is period design rather than reproduction: Sottsass, Gio Ponti, Mackintosh, Le Corbusier, Tobia Scarpa, set under original fittings and restored vaults.
La Fiermontina Luxury Home: From Private Retreat to Shared Joy
By 2013, the substance was saved. One evening, after the departure of private guests, Antonia Yasmina and Fouad Giacomo sat in the garden. It was a moment of reflection. “What are we actually doing here?” she asked, half amused, half serious. Already at that time there was a lively coming and going, so the decision was not difficult.
In 2015, La Fiermontina Luxury Home opened with 19 rooms, distributed across three building wings: the main Masseria house, the opposite Palazzina Lazzari, and the discreet Suite-à-coté.
The signature of the design duo is clearly recognizable. In reinterpreting it as a place of welcome and hospitality, they respected its original soul and structure. They found a balanced interplay of historic substance, local traditions and materials, and modern interior. In some rooms, the original vaulted ceilings were restored and show their special character. For example, the Chianche stones from the old terrace were reused as garden flooring and old stair stones were repurposed into garden benches.
The Lemon Grove: A Garden as Symbol of Hospitality
Bounded by the building and the old city wall, there is a small, ancient grove of lemon trees connected with a legend. According to this, Saint Francis, on his journey through Apulia to Lecce, planted an orange tree as thanks for the city’s hospitality. As a gesture of veneration, the residents of Lecce have since planted citrus trees in their gardens in his honor.
The grove sits between the building and the old city wall, on ground that has been enclosed since the Masseria was built. What grows there now grows because someone in Lecce decided, centuries ago, that a guest who arrives is owed something that outlives the visit.
SUITES: Where 17th-Century Vaults Meet Contemporary Serenity
La Fiermontina Luxury Home’s suites reveal the triumph of ten-year restoration: Pietra Leccese vaulted ceilings weathered into honeyed patterns arch over beds flanked by golden lampshades and charcoal figure studies—Letourneur and Zwobada’s obsession with form quietly present. Private plunge pools glow at twilight, Chianche stones from original terraces repurposed underfoot, turquoise water reflecting interiors where forgotten terrazzo mixtures and Marmo di Trani meet local stone. Arched doorways frame enfilades leading to private terraces where Saint Francis’s legendary citrus legacy continues. Each suite—whether displaying pristine white vaults or celebrating weathered stone’s character—embodies Jacques-Philippe and Christophe’s vision from Laboratoire Design à Rabat: history breathing contemporary lightness, old stair stones transformed into garden benches, structure larger than official plans ever showed. This is the Masseria Fouad Giacomo discovered in 2003, enchanted by Lecce, intending only family retreat yet uncovering dimensions that insisted on being shared. | Photo: S. De Riccardis / V. Rosati
Part of the La Fiermontina Family Collection
Three houses in Lecce. One family story.
The complete guide
La Fiermontina Lecce: Three Houses, One Family Story →Palazzo Bozzi Corso
Hollywood Glamour and Imagine Dreams →Fiermonte Museum
When the Past Takes a Room →© La Fiermontina · The Silent Luxury
Albergo Diffuso: Three Houses, One Stay in Lecce
As a sign of lived hospitality, the Filalis weave the three houses into an “albergo diffuso”—a hotel whose parts are distributed throughout the city yet connected to each other. Guests who lodge in the museum dive into the pool of the Masseria, residents of La Fiermontina Palazzo Bozzi Corso dine in the olive grove of the Zéphyr Restaurant in the Luxury Home, and every guest is invited to a private tour through the museum exhibition.
Zéphyr and the Salon: Arriving Like Among Friends
Guests feel a pleasantly private atmosphere from the first minute: a friendly pick-up at the threshold, an espresso in the salon, bookshelves instead of monitors. The staff present themselves as cultivated hosts who give literature tips. They are as international as the host family itself. It’s the pleasant feeling of arriving in a living room and not sensing the sober distance of a reception desk.
Lecce: Future with Roots
La Fiermontina stands exemplarily for a new form of southern Italian hospitality: familiar and cosmopolitan, deeply rooted and clearly forward-looking. Those who are here can feel the history and careful restoration up close—a harmonious balance between past and future.
La Fiermontina captures this feeling and translates it into spaces: the echo of steps in Lecce’s honey-colored alleys, the smell of sun-warmed stones, and the pulse of southern Italy. Perhaps you’ll soon find yourself—just as I did—under one of the lemon trees in the garden, a glass of Primitivo in hand, while above you the stars of Apulia awaken. The doors stand open, because the story writes its next chapter with every guest who enters.
ALBERGO DIFFUSO: Art, Books, and the Philosophy of Shared Beauty
Under Apulian sun, bronze figures entwine in La Fiermontina’s courtyard—sculptural guardians marking the threshold between street and sanctuary, between three houses woven into one living narrative. The library-lounge crystallizes the albergo diffuso concept: exposed timber beams crown white arches where a monumental marble figure reclines in backlit wooden alcove, plants spilling from ceramic vessels, bookshelves suggesting literature tips from cultivated international staff rather than reception desk transactions. This is arriving like among friends—espresso in salon, the profound pleasure of shared rather than hoarded privilege. Guests flow seamlessly between Masseria, Palazzo Bozzi Corso, and Museum: swimming here, dining in the Zéphyr Restaurant’s olive grove there, wandering nine museum rooms with flashlights after dark. What Fouad Giacomo and Antonia Yasmina decided that 2013 evening in the garden—”What are we actually doing here?”—transformed by 2015 into 19 rooms across three buildings united by single philosophy: hospitality as continuation of the Fiermonte chronicle, where every guest becomes temporary custodian of a family saga spanning Hollywood glamour, Parisian ménage-à-trois, and Yoko Ono’s peace dreams. | Photo: S. De Riccardis / V. Rosati
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